Pace Pride
Gah dang it! Veronica totally stole my thunder this week. I AM most proud of in my scene pacing.
I hate being bored. I'd much rather be stressed until my eyes bug than not knowing what to do with myself. Even my vacations are exhausting. On a trip to Costa Rica, our scuba diving boat dropped us at the beach for a surface break between dives. My wife sprawled out on the sand for the half-an-hour. As we got back on the boat she said, "That was worth the $90 for the dive."
This translates into my writing. Often I force myself to lay off the gas for a beat just to let people catch their breath (more accurately, I try to switch the sources of tension from action to suspense, from live'n'death to romantic, etc.).
I'd like to share a snippet with you. Allow me to set the stage:
This scene comes at the end of Chapter 2 of my Science Fiction thriller, Shriekers (currently out on query to agents). These five teens are on a mankind's first interstellar journey. They were awoken from stasis by the ship's computer, Sheli, for their annual exam. Just before going back into suspended animation, the ship mysteriously dives into a self-destruct sequence. Where the following beat begins, the teens have rushed to the Bridge to disconnect Sheli and stop the countdown.
I hate being bored. I'd much rather be stressed until my eyes bug than not knowing what to do with myself. Even my vacations are exhausting. On a trip to Costa Rica, our scuba diving boat dropped us at the beach for a surface break between dives. My wife sprawled out on the sand for the half-an-hour. As we got back on the boat she said, "That was worth the $90 for the dive."
I'd like to share a snippet with you. Allow me to set the stage:
This scene comes at the end of Chapter 2 of my Science Fiction thriller, Shriekers (currently out on query to agents). These five teens are on a mankind's first interstellar journey. They were awoken from stasis by the ship's computer, Sheli, for their annual exam. Just before going back into suspended animation, the ship mysteriously dives into a self-destruct sequence. Where the following beat begins, the teens have rushed to the Bridge to disconnect Sheli and stop the countdown.
Geoff heads toward the captain’s chair
in the dead center of the Bridge. On the end of the thick armrest, Jill fiddles
with something that could be half of an alien clamshell. The thing is about
twenty centimeters across and made of smooth, black glass. A hologram of
Sheli’s face floats in the center.
“Self-destruct in five minutes, thirty
seconds.”
I peer over Geoff’s shoulder. He swats
Jill’s hands from the place where the captain’s chair mates to Sheli’s
clamshell. Gently, he detaches Sheli and slides her off the armrest, though
there are several cords in a bundle still connecting them. He focuses on a
single cord with a boxy connector in the middle. Kendra and Patrick press
against my back, trying to get a good view of Geoff’s chubby fingers pressing
down all those little levers. He tries to pull the cord apart. It stays
latched.
“C’mon!” Jill says.
“Stupid…thing.” He tries again.
“Can I try?” I grab the connector from
Geoff and follow his directions perfectly, but it stays together when I yank on
it. I pull harder. The damn thing won’t move. “Something’s wrong.”
I look at Geoff. He goes pale.
“I didn’t see it before.” He points to
a black cuff on the connector with little yellow lights. “It’s locked.”
“How do we get it off?” I ask.
Jill and Kendra erupt with more
questions. Patrick gets paler.
Trembling so much he barely gets a
grip on the lock, Geoff’s fingers dance around it. They do it again.
“How do we get it off?!” I grab Geoff’s
shoulders and force him to face me, but his glowing blue eyes won’t make
contact. He shakes his head.
I freeze. I can’t breath. I’m going to
puke.
“Self-destruct in five minutes.”
“Can we break it?” I grab the
connector and slam it on the chair’s armrest. Nothing. I do it again. And
again. The thing looks brand new.
“Get something heavier.” Kendra and I
leap to another chair, grabbing it on both sides. Patrick joins, but the chair
stays bolted to the floor no matter how hard we rock it.
I run my hands along the cords running
between the Sheli and the captain’s chair. “Try cutting her cord. Find
something sharp.”
“Self-destruct in four minutes, thirty
seconds.”
Kendra pounds on the glass projecting
Sheli with her small hands. Her feathery hair jolts with each strike.
“That’s tri-Quartz glass, you’ll never
shatter it,” Geoff says.
“I got it!” Jill shoves Kendra out of
the way and bolts for the door so fast I can’t ask her where she’s going.
Geoff toys with Sheli more with a
shocked Patrick watching. I rush around the Bridge for something--anything--to help, but there’s nothing.
Kendra follows. There’s not much besides chairs and holo-screens. It’s all
secured, too big, or unbreakable. My mind fogs. Finally, huffing, I stand with
the others.
“Self-destruct in four minutes.”
“Oh God,” Kendra whispers.
Patrick breaks, sobbing like a
toddler.
“What else can we do?” I scan the
Bridge again, pointlessly.
Geoff presses the connector’s levers
again and again.
“Self-destruct in three minutes,
thirty seconds.”
“Move!”
Jill runs across the Bridge.
She clutches a long stick and runs
right for Geoff and I, her arms high above its head. She screeches. Something
on the end of the stick glints in the light. It looks sharp.
An ax. It’s an ax.
I throw all my weight to the side,
pulling Geoff with me. We fall, tumbling to the soft carpet. My eyes never
leave the ax. Jill swings it. The blade hits the connector. A shower of
sparks lights everything in a flare.
“Self-destruct in three minnuuuu…”
Sheli’s voice drops lower, garbles, and trails off.
The hologram vanishes. The red lights
die. Starlight bathes the Bridge.
I suck in a deep breath and wait.
And that's the chapter break.
Hopefully...someday...you'll get to (want to) read more.
4 comments
Love it, Bret!
Thanks, Martina!
Finally! Some Bret story! I found myself reading faster and faster ...
On an unrelated note, I've noticed the word "peer" in just about everything I read these days, and I've started mentally changing it to "pee," because I'm still a junior high student, apparently.
So: "I pee over Geoff’s shoulder."
Hee hee.
Peeing of Geoff's shoulder is a good example of how a character's actions can change the scene's mood entirely. Funny stuff.
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